2022 EMERGING ARTISTS

Friday, June 10, 2022 | noon
First United Methodist Church
407 N. Bridge Street

Shelter

STEPHEN PAULUS (1949-2014)
The Road Home

Ivy Cantu, soprano
Anita Graef, cello
Faith DeBow, piano


JOHANN SEBASTIAN BACH (1685-1750)
Prelude from Cello Suite No. 3, BWV 1009

Anita Graef, cello


RICHARD STRAUSS (1864-1949)
Die Nacht
Zueignung

Ivy Cantu, soprano
Faith DeBow, piano


FELIX MENDELSSOHN (1809-1847)
Song Without Words, op. 109

Anita Graef, cello
Faith DeBow, piano


ENRIQUE GRANADOS (1867-1916)
La Maja y El Ruisenor, from Goyescas

FERNANDO OBRADORS (1897-1945)
Chiquitita la novia

Ivy Cantu, soprano
Faith DeBow, piano


CLAUDE DEBUSSY (1862-1918)
Sonata for Cello and Piano

  1. Prologue
  2. Sérénade et Finale

Anita Graef, cello
Faith DeBow, piano


AMY BEACH (1867-1944)
Chanson d’Amour

Ivy Cantu, soprano
Anita Graef, cello
Faith DeBow, piano


FRANCIS POULENC (1899-1963)
Les Chemins de l’Amour

Ivy Cantu, soprano
Faith DeBow, piano


AMY BEACH
Dreaming

Anita Graef, cello
Faith DeBow, piano


ANDRE PREVIN (1929-2019)
Shelter
, from Four Songs

LEONARD BERNSTEIN (1918-1990)
Dream with Me
, from Peter Pan 

Ivy Cantu, soprano
Anita Graef, cello
Faith DeBow, piano

Sponsors

Dodie Griffin

John Griffin & Lynn Knaupp

This concert is generously supported by our concert sponsors and by donors to the Victoria Bach Festival’s Annual Fund.  Many thanks to our generous supporters!

Donate

Texts and Translations

Die Nacht

Aus dem Walde tritt die Nacht,
Aus den Bäumen schleicht sie leise,
Schaut sich um in weitem Kreise,
Nun gib Acht!

Alle Blumen, alle Farben
Löscht sie aus und stiehlt die Garben
Weg vom Feld.

Alles nimmt sie, was nur hold,
Nimmt das Silber weg des Stroms
Nimmt vom Kupferdach des Doms
Weg das Gold.

Ausgeplündert steht der Strauch:
Rücke näher, Seel’ an Seele,
O die Nacht, mir bangt, sie stehle
Dich mir auch.

The Night

Night steps from the woods,
Slips softly from the trees,
Gazes about her in a wide arc,
Now beware!

All the lights of this world,
All the flowers, all the colours
She extinguishes and steals the sheaves
From the field.

She takes all that is fair,
Takes the silver from the stream,
Takes from the cathedral’s copper roof
The gold.

The bush stands plundered:
Draw closer, soul to soul,
Ah the night, I fear, will steal
You too from me.

Translation © Richard Stokes, author of The Book of Lieder (Faber, 2005)

Zueignung

Ja, du weißt es, teure Seele,
Daß ich fern von dir mich quäle, Liebe macht die Herzen krank,
Habe Dank.

Einst hielt ich, der Freiheit Zecher,
Hoch den Amethysten-Becher,
Und du segnetest den Trank,
Habe Dank.

Und beschworst darin die Bösen,
Bis ich, was ich nie gewesen,
Heilig, heilig an’s Herz dir sank,
Habe Dank!

Dedication

Yes, dear soul, you know
That I’m in torment far from you,
Love makes hearts sick –
Be thanked.

Once, revelling in freedom,
I held the amethyst cup aloft
And you blessed that draught –
Be thanked.

And you banished the evil spirits,
Till I, as never before,
Holy, sank holy upon your heart –
Be thanked.

Translation © Richard Stokes, author of The Book of Lieder (Faber, 2005)

La Maja y El Ruisenor

Porque entre sombras el ruiseñor
Entona su armonioso cantar?
Acaso al rey del dia guarda rencor
Y de el quiera algun agravio vengar?
Guarda quizas su pecho oculto tal dolor,
Que en la sombra espera alivio hallar,
Triste eontonando cantos de amor, ¡Ay! de amor.
Y tal vez alguna flor temblorosa del pudor de amar
¡Es la sclava, es la sclava
Enamorada de su cantar!

Misterio es el cantar que entona
Envuelto en sombra el ruiseñor!
Ah! son los amores como flor,
Como flor a merced de la mar.

Amor! Amor!
Ah! no hay cantar sin amor.

The Maiden and the Nightingale

Why in the shadows does the nightingale
Sing its harmonious song?
Perhaps it bears a grudge against the Sun, King of the Day?
Or wants to avenge some grievance?
Perhaps she keeps hidden in her breast such grief
That she hopes to find relief in the shadows,
Sadly singing her songs of love.
Or maybe some flower, trembling with the blushes of love,
Is the love-lorn slave of her song.

Mysterious is the song
Which the nightingale chants, wrapped in the shadows!
Ah!  Love is like a flower
At the mercy of the sea.
Love!  Love!
Ah, there is no singing without love!
Ah!  Nightingale: this your singing is
A hymn of love.

Translation ©2014 David Wyatt

Chiquitita la novia
¡Ay!
Chiquitita la novia,
Chiquitito el novio,
Chiquitita la sala,
Y el dormitorio,
Por eso yo quiero
Chiquitita la cama
Y el mosquitero.
¡Ay!
Tiny the Bride
Ah!
Tiny the bride,
tiny the groom,
Tiny the living room
and the bedroom,
That’s why I want
The tiny bed
and the mosquito net.
Ah!

Chanson d’Amour

L’aube naît, et ta porte est close!
Belle, pourquoi sommeiller?
À l’heure où s’éveille la rose
Ne vas-tu pas te réveiller?

Ô ma charmante,
Écoute ici
L’amant qui chante
Et pleure aussi!

Toute frappe à ta porte bénie.
L’aurore dit : Je suis le jour!
L’oiseau dit : Je suis l’harmonie!
Et dit : Je suis l’amour!

Ô ma charmante,
Écoute ici
L’amant qui chante
Et pleure aussi!

Je t’adore, ange, t’aime, femme.
Dieu qui toi m’a complété
A fait mon amour ton âme,
Et mon regard pour ta beauté!

Ô ma charmante,
Écoute ici
L’amant qui chante
Et pleure aussi!

Love Song

Dawn is coming, and your door is closed!
My beauty, why do you sleep?
Should not the hour that wakes the rose
Awaken you, too?

O, my lovely
Listen now
to the lover who sings
And also weeps.

All creation knocks at your blessed door
The dawn says: I am the day!
The bird says: I am harmony!
And I say: I am love!

O, my lovely
Listen now
to the lover who sings
And also weeps.

I adore you, angel, love you, woman
God who made me for you
Made my love for your soul
And my gaze for your beauty!

O, my lovely
Listen now
to the lover who sings
And also weeps.

Les Chemins de l’Amour

Les chemins qui vont à la mer
Ont gardé de notre passage
Des fleurs effeuillées
Et l’écho sous leurs arbres
De nos deux rires clairs.
Hélas! des jours de bonheur,
Radieuses joies envolées,
Je vais sans retrouver traces
Dans mon coeur.

Chemins de mon amour,
Je vous cherche toujours,
Chemins perdus, vous n’êtes plus
Et vos échos sont sourds.
Chemins du désespoir,
Chemins du souvenir,
Chemins du premier jour,
Divins chemins d’amour.

Si je dois l’oublier un jour,
La vie effaçant toute chose,
Je veux dans mon coeur qu’un souvenir
Repose plus fort que l’autre amour.
Le souvenir du chemin,
Où tremblante et toute éperdue,
Un jour j’ai senti sur moi brûler tes mains.

The Paths of Love

The paths that lead to the sea
Have retained from our passing
The flowers that shed their petals
And the echo beneath their trees
Of our clear laughter.
Alas! no trace of those happy days,
Those radiant joys now flown,
Can I find again
In my heart.

Paths of my love,
I search for you ceaselessly,
Lost paths, you are no more
And your echoes are muted.
Paths of despair, paths of memory,
Paths of our first day,
Divine paths of love.

If one day I must forget,
Since life obliterates everything,
I wish for my heart to remember one thing,
More vivid than the other love,
To remember the path
Where trembling and quite distracted,
I one day felt on me your passionate hands.

Translation © Richard Stokes, author of A French Song Companion (Oxford, 2000)

About the Artists

Ivy Cantu, soprano

Ivy Cantu, soprano, received her degree in Vocal Performance at Texas State University. Her roles include Reporter in Ruffled Flourishes (world premiere), Venus/Juno in Orpheus and the Underworld, L’écureuil in L’entfant et Les Sortilleges, Lady Bird in Lady Bird: First Lady of the Land (world premiere), Mrs. Grose in The Turn of the Screw, Mother in Hansel and Gretel, 1st Lady in The Magic Flute, Mrs. Gleaton in Susannah, Queen Dido in Dido and Aeneas, and a soloist in Howl (world premiere). She made her debut with Alamo City Opera in their production of Maria de Buenos Aires (2016), Texas Concert Opera Collective in their production of Susannah as Mrs. Gleaton (2019), Austin Opera in their production of Everest (2019), and Local Opera Local Artists (LOLA) in Dido and Aeneas as the lead, Queen Dido (2019).

She won first place in the Edward Baird Singer of the Year competition at Texoma NATS in 2018 and third place in the Meistersinger Competition at AIMS in Graz, Austria in 2019.Miss Cantu joins South Austin Academy of Vocal Arts for the third year as the head director of Interlude Choir (ages 6-11) and as the assistant director of Encore Choir and Academy Singers. She is known for her bright spirit and encouraging demeanor.

Miss Cantu has completed 3 sessions as a Teaching Artist with Christian Youth Theatre San Antonio (CYT) teaching a variety of classes that include stage makeup, vocal technique, and performance technique. She has also started musically directing and recently directed CYT’s, “The Little Mermaid” (March 2022).

Anita Graef, cello

Described as “a world class musician” (Galena Gazette) who plays with “high energy and polish” (WQXR), cellist Anita Graef has earned recognition for her music making as a soloist, chamber musician, and orchestral performer. Notable appearances include features in Strings Magazine, as well as Carnegie Hall’s Weill Recital Hall, the Dame Myra Hess Memorial Concert series, and “Concerts from the Library of Congress.” She has also performed in recital as a guest
of various radio programs, including “Young Artists Showcase” on WQXR, WFMT, WGTE, WUOL, WOSU, WVPB, NPR and others. She serves as the Artistic Director and cellist of the Juliani Ensemble, an innovative, multi-faceted chamber ensemble, with whom she has performed extensively both nationally and internationally. Highlights of 2021/2022 include concerto debuts, notably with the Louisville Orchestra among others, recital performances at Columbia University, the New Lens Concert Series, “Live from WFMT,” and a residency at the University of Missouri.

She was recently named as the 2022 Gheens Young Artist, an award from the Gheens Foundation which sees her making her concerto debut with the Louisville Orchestra, as well performing, speaking and serving as an educator throughout the city. In 2021, she was announced as the recipient of the American Prize in Instrumental Performance. As a writer, her work has been published in Strings Magazine, where she serves as a frequent contributor.

She has performed at various music festivals, including as Artist-in-Residence at pianoSonoma, as a Fellow with the Chautauqua Symphony Orchestra, as principal cellist at Brevard Music Festival, as assistant principal cellist of Miami Music Festival, as well as the Catskills High Peaks Music Festival and Credo Chamber Music Festival at Oberlin Conservatory. As an orchestral musician, frequent appearances include the Cincinnati Symphony Orchestra, originally as a recipient of the CSO-CCM Fellowship, as assistant principal of the Missouri Symphony, as well as performances with the Indianapolis Symphony Orchestra, Louisville Orchestra, and others.

Anita has had occasion to work with and perform for musicians such as Stephen Geber, Johannes Moser, Felix Wang, Roberto Diaz, Joel Smirnoff, Eric Kim, Charles Pickler, Yehuda Hanani, Martin Katz, Paul Watkins of the Emerson Quartet, Anne Martindale Williams, the Shanghai String Quartet, the Calidore Quartet, and the Chiara Quartet. Former teachers include Marc Johnson of the Vermeer Quartet, Hans Jorgen Jensen, and several members of the Chicago Symphony Orchestra. She has performed in orchestras under the baton of maestros such as Leonard Slatkin, Miguel Harth-Bedoya, James Gaffigan, Peter Oundjian, David Efron, JoAnn Falletta, Rossen Milanov, Louis Langree, James Conlon and Keith Lockhart.

Born into a family of professional musicians, Anita grew up surrounded by music. She began piano studies at age two, while beginning to study cello at age four, later making her concerto debut at the age of twelve. She went on to obtain a Bachelor’s Degree from the University of Michigan’s School of Music, Theatre, and Dance, where she studied with professor Anthony Elliott. Following this, she completed studies for a Master’s Degree at the University of Cincinnati College-Conservatory of Music, under the tutelage of Ilya Finkelshteyn.

When not making music, Anita enjoys reading, cooking, crocheting, weight lifting, hiking, spending time with friends and family, volunteer work and exploring new cities.

Anita performs on a modern Italian cello by Ferdinando Garimberti, dated 1923.

For more information, visit anitagraef.com.

Faith Debow,
Emerging Artist Coordinator

Faith DeBow has served as collaborative pianist and Emerging Artist Coordinator on the leadership team of the Victoria Bach Festival since 2010.  Faith is sought after for both solo and collaborative performances as well as choral accompaniment and teaching. She enjoys a vibrant career based in the Central Texas region. Her playing has been heard in outer space at the International Space Station, performing Christmas music on video for astronauts working there during the holiday season.

Ms. DeBow has performed with opera singer Renée Fleming; conductors Peter Bay, Anton Coppola, Craig Hella Johnson, and Sebastian Lang-Lessing; and has performed the works of composers Jake Heggie, Libby Larsen, Roberto Sierra, and Michael Schelle. She has also premiered works by Donald Grantham, Cary Ratcliff, Jake Runestad, and John Muehleisen. In 2012, Ms. DeBow commissioned and premiered Brilliant Sky, a solo piano work by Colin Sorgi. She has served as rehearsal pianist in premieres composed by Stephen Paulus, Kevin Puts, Nico Muhly, Tarik O’Regan, Dan Welcher, Eric Banks, and Robert Kyr.

Faith maintains a longstanding collaboration with the Grammy®-winning choral ensemble Conspirare. Ms. DeBow has performed with the choir in Texas cities such as San Antonio, Houston, Dallas, Fredericksburg, Round Top, and its home base of Austin. Outside the state, she toured the greater US: New York City, San Francisco, Omaha, Oklahoma City, and Goshen (Indiana); internationally, Copenhagen, Paris, and Saint-Lo (France).

Ms. DeBow also regularly performs with Musica Viva’s Susan Doering (violin), and Dieter Wulfhorst (cello) across California’s Central Valley.

In 2010, she traveled to Reykjavik to collaborate with Tim Buzbee, Principal Tuba of the Iceland Symphony Orchestra. DeBow and Buzbee gave a recital at the Hallgrimskirkja national cathedral and recorded a CD for Albany Records, Angels and Demons.

Her performances have been broadcast on PBS, NPR’s Performance Today, Georgia Public Radio, KPAC San Antonio, KMFA Austin, and Victoria Public Radio. Ms. DeBow appeared in Conspirare’s one-hour television special for PBS broadcast nationally in March 2009; the CD of that concert, A Company of Voices: Conspirare in Concert, was nominated for a 2010 Grammy® Award for “Best Classical Crossover Album.”

Faith DeBow has also recorded for Harmonia Mundi with Conspirare (Pablo Neruda: The Poet Sings, 2015 and Samuel Barber: An American Romantic, 2012) and for Albany Records with tuba player Tim Buzbee (Angels and Demons, 2012, featuring Sonata del Angel Caido by Ferrer Ferran; Apocalyptic Voices by James Meador; and Three Miniatures for Tuba and Piano by Anthony Plog).

She teaches class piano and collaborative piano as a Senior Lecturer at Texas State University, a position she has held since 2001. She also accompanies instrumental students at Trinity University and is the pianist for the boy choir at the historic San Antonio Academy. Ms. DeBow often plays orchestral keyboard with the Austin Symphony Orchestra.

Emerging Artists

The Emerging Artists program (formerly the New Young Artists program) began in 1992 and has featured over sixty of the nation’s most promising young musicians.  During Festival week, the Emerging Artists perform a formal recital and a series of outreach concerts at the public library, assisted living centers, and children’s summer camps.

About the Artists

Ivy Cantu, soprano

Soprano Ivy Cantu received her degree in Vocal Performance at Texas State University. Her roles include Reporter in Ruffled Flourishes (world premiere), Venus/Juno in Orpheus and the Underworld, L’écureuil in L’entfant et Les Sortilleges, Lady Bird in Lady Bird: First Lady of the Land (world premiere), Mrs. Grose in The Turn of the Screw, Mother in Hansel and Gretel, 1st Lady in The Magic Flute, Mrs. Gleaton in Susannah, Queen Dido in Dido and Aeneas, and a soloist in Howl (world premiere). She made her debut with Alamo City Opera in their production of Maria de Buenos Aires (2016), Texas Concert Opera Collective in their production of Susannah as Mrs. Gleaton (2019), Austin Opera in their production of Everest (2019), and Local Opera Local Artists (LOLA) in Dido and Aeneas as the lead, Queen Dido (2019).

She won first place in the Edward Baird Singer of the Year competition at Texoma NATS in 2018 and third place in the Meistersinger Competition at AIMS in Graz, Austria in 2019.Miss Cantu joins South Austin Academy of Vocal Arts for the third year as the head director of Interlude Choir (ages 6-11) and as the assistant director of Encore Choir and Academy Singers. She is known for her bright spirit and encouraging demeanor.

Miss Cantu has completed 3 sessions as a Teaching Artist with Christian Youth Theatre San Antonio (CYT) teaching a variety of classes that include stage makeup, vocal technique, and performance technique. She has also started musically directing and recently directed CYT’s, “The Little Mermaid” (March 2022).

Anita Graef, cello

Described as “a world class musician” (Galena Gazette) who plays with “high energy and polish” (WQXR), cellist Anita Graef has earned recognition for her music making as a soloist, chamber musician, and orchestral performer. Notable appearances include features in Strings Magazine, as well as Carnegie Hall’s Weill Recital Hall, the Dame Myra Hess Memorial Concert series, and “Concerts from the Library of Congress.” She has also performed in recital as a guest of various radio programs, including “Young Artists Showcase” on WQXR, WFMT, WGTE, WUOL, WOSU, WVPB, NPR and others. She serves as the Artistic Director and cellist of the Juliani Ensemble, an innovative, multi-faceted chamber ensemble, with whom she has performed extensively both nationally and internationally. Highlights of 2021/2022 include concerto debuts, notably with the Louisville Orchestra among others, recital performances at Columbia University, the New Lens Concert Series, “Live from WFMT,” and a residency at the University of Missouri.

She was recently named as the 2022 Gheens Young Artist, an award from the Gheens Foundation which sees her making her concerto debut with the Louisville Orchestra, as well performing, speaking and serving as an educator throughout the city. In 2021, she was announced as the recipient of the American Prize in Instrumental Performance. As a writer, her work has been published in Strings Magazine, where she serves as a frequent contributor.

She has performed at various music festivals, including as Artist-in-Residence at pianoSonoma, as a Fellow with the Chautauqua Symphony Orchestra, as principal cellist at Brevard Music Festival, as assistant principal cellist of Miami Music Festival, as well as the Catskills High Peaks Music Festival and Credo Chamber Music Festival at Oberlin Conservatory. As an orchestral musician, frequent appearances include the Cincinnati Symphony Orchestra, originally as a recipient of the CSO-CCM Fellowship, as assistant principal of the Missouri Symphony, as well as performances with the Indianapolis Symphony Orchestra, Louisville Orchestra, and others.

Anita has had occasion to work with and perform for musicians such as Stephen Geber, Johannes Moser, Felix Wang, Roberto Diaz, Joel Smirnoff, Eric Kim, Charles Pickler, Yehuda Hanani, Martin Katz, Paul Watkins of the Emerson Quartet, Anne Martindale Williams, the Shanghai String Quartet, the Calidore Quartet, and the Chiara Quartet. Former teachers include Marc Johnson of the Vermeer Quartet, Hans Jorgen Jensen, and several members of the Chicago Symphony Orchestra. She has performed in orchestras under the baton of maestros such as Leonard Slatkin, Miguel Harth-Bedoya, James Gaffigan, Peter Oundjian, David Efron, JoAnn Falletta, Rossen Milanov, Louis Langree, James Conlon and Keith Lockhart.

Born into a family of professional musicians, Anita grew up surrounded by music. She began piano studies at age two, while beginning to study cello at age four, later making her concerto debut at the age of twelve. She went on to obtain a Bachelor’s Degree from the University of Michigan’s School of Music, Theatre, and Dance, where she studied with professor Anthony Elliott. Following this, she completed studies for a Master’s Degree at the University of Cincinnati College-Conservatory of Music, under the tutelage of Ilya Finkelshteyn.

When not making music, Anita enjoys reading, cooking, crocheting, weight lifting, hiking, spending time with friends and family, volunteer work and exploring new cities.

Anita performs on a modern Italian cello by Ferdinando Garimberti, dated 1923.

For more information, visit anitagraef.com.

Faith Debow, Emerging Artist Coordinator

Faith DeBow has served as collaborative pianist and Emerging Artist Coordinator on the leadership team of the Victoria Bach Festival since 2010.  Faith is sought after for both solo and collaborative performances as well as choral accompaniment and teaching. She enjoys a vibrant career based in the Central Texas region. Her playing has been heard in outer space at the International Space Station, performing Christmas music on video for astronauts working there during the holiday season.

Ms. DeBow has performed with opera singer Renée Fleming; conductors Peter Bay, Anton Coppola, Craig Hella Johnson, and Sebastian Lang-Lessing; and has performed the works of composers Jake Heggie, Libby Larsen, Roberto Sierra, and Michael Schelle. She has also premiered works by Donald Grantham, Cary Ratcliff, Jake Runestad, and John Muehleisen. In 2012, Ms. DeBow commissioned and premiered Brilliant Sky, a solo piano work by Colin Sorgi. She has served as rehearsal pianist in premieres composed by Stephen Paulus, Kevin Puts, Nico Muhly, Tarik O’Regan, Dan Welcher, Eric Banks, and Robert Kyr.

Faith maintains a longstanding collaboration with the Grammy®-winning choral ensemble Conspirare. Ms. DeBow has performed with the choir in Texas cities such as San Antonio, Houston, Dallas, Fredericksburg, Round Top, and its home base of Austin. Outside the state, she toured the greater US: New York City, San Francisco, Omaha, Oklahoma City, and Goshen (Indiana); internationally, Copenhagen, Paris, and Saint-Lo (France).

Ms. DeBow also regularly performs with Musica Viva’s Susan Doering (violin), and Dieter Wulfhorst (cello) across California’s Central Valley.

In 2010, she traveled to Reykjavik to collaborate with Tim Buzbee, Principal Tuba of the Iceland Symphony Orchestra. DeBow and Buzbee gave a recital at the Hallgrimskirkja national cathedral and recorded a CD for Albany Records, Angels and Demons.

Her performances have been broadcast on PBS, NPR’s Performance Today, Georgia Public Radio, KPAC San Antonio, KMFA Austin, and Victoria Public Radio. Ms. DeBow appeared in Conspirare’s one-hour television special for PBS broadcast nationally in March 2009; the CD of that concert, A Company of Voices: Conspirare in Concert, was nominated for a 2010 Grammy® Award for “Best Classical Crossover Album.”

Faith DeBow has also recorded for Harmonia Mundi with Conspirare (Pablo Neruda: The Poet Sings, 2015 and Samuel Barber: An American Romantic, 2012) and for Albany Records with tuba player Tim Buzbee (Angels and Demons, 2012, featuring Sonata del Angel Caido by Ferrer Ferran; Apocalyptic Voices by James Meador; and Three Miniatures for Tuba and Piano by Anthony Plog).

She teaches class piano and collaborative piano as a Senior Lecturer at Texas State University, a position she has held since 2001. She also accompanies instrumental students at Trinity University and is the pianist for the boy choir at the historic San Antonio Academy. Ms. DeBow often plays orchestral keyboard with the Austin Symphony Orchestra.

Keep Listening!

Alejandro Hernandez-Valdez conducts the VBF Orchestra Saturday, June 11 at the Victoria Fine Arts Center.

View Program

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